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Dhoni was absent from that summer tour to Zimbabwe, and as such now has back-to-back defeats. If the washout against India in Sydney last year is discounted, this winning streak of 16 is the joint longest. But apply the same to Shikhar Dhawan’s odd run of form, and things do not fit.Sunday is effectively India’s last chance to salvage any hopes of turning the tables in this ongoing five-match series.
Their partnership strike-rate at Brisbane was markedly better than at Perth, a concern obviously addressed in the turn-around time between the two games, and yet the death overs bore a similar look. It is nowhere near good enough for a top-order batsman, let alone an opener. It cannot be yet ascertained how well Manish Pandey played his role and still Dhoni ought to have a re-think regarding his selection.Australia last lost a home ODI in November 2014.91 in this duration. The calls for moving beyond his reign had grown louder with each passing defeat last year.Of course, it will be easier said than done as the resources at his disposal don’t paint a pretty picture.And at the same time he could also bowl a few overs, thus sharing the load of the five-pronged bowling attack. He was on target in the post-match press conference in Brisbane, highlighting that his batsmen have scored 300-plus in consecutive games in Australia.Ajinkya Rahane played a handsome hand but it wasn’t enough to power through to the finish. However, that solution will be a huge departure from the manner the Indian team is selected.Rohit Sharma and Virat Kohli are going great guns at the moment and need to shoulder even more responsibility. Dhoni admired the way the no. When the Indian skipper talked about asking his batsmen to score 330-340 from here onwards, he wasn’t joking. Barring the token win in Zimbabwe, the Men in Blue have lost their previous two challenging ODI contests played since the World Cup here last year, against Bangladesh (away) and South Africa (home).4 batsman performed, but also mentioned his lack of power hitting.
Their bowling frailties thoroughly exposed in the first two ODIs, India are left with no option but to bank heavily on their batsmen to steer the side and upstage the rampaging Australians in the must-win third one-dayer here on Sunday.07 with a strike-rate of 79.Yet, he must also be fully aware that the score doesn’t really matter unless his bowlers can defend it and the harsh truth is they have failed twice in a row. At this juncture, with his team staring down the barrel, he needs to show why he is still the man to do the job. They are now on the brink of losing a third successive series. The question to ask here is, will this be India’s best-available batting line-up That was the premise on which Dhoni rejected the idea of picking Rishi Dhawan once again.The Indians lost the first two ODIs despite setting targets of more than 300 for the Aussies, the sort of debacle which prompted under-fire skipper Mahendra https://www.ruicoglobal.com/product/auxiliaries/auxiliary-agent-2-2.html Singh Dhoni to admit that his batsmen will have to take more pressure given that the bowlers have been a huge letdown. They have now gone 17 home ODIs without losing, one short of the longest unbeaten streak at home.Could giving Gurkeerat Mann a chance help find a solution Whatever Pandey can do, given his lack of experience, perhaps Mann could do the same.
Especially when dropping him from the eleven could solve India’s conundrum twofold — Rahane’s bid for an opening slot as well as allowing both Pandey and Mann space in the middle order. In simpler terms, it doesn’t fit the ‘best eleven’ parameter ahead of a must-win game and as such any changes in this regard will be too much to expect. So much so, the BCCI had to check the situation and announce him as the limited-overs’ captain at least until the 2016 World T20.It is not a comfortable position for Dhoni to be in.With 8 of these matches played in the sub-continent, he averages only 29..Dhawan doesn’t have a single ODI hundred in the 13 games since his last century against Ireland at Hamilton during the World Cup.The left-hander’s inconsistency at the top of the order is a huge concern, one that continues to be neglected by the team management in the garb of his firepower when he occasionally gets going.

Some of the works that I loved included Chottu Lal’s part woman, part tigress, part cow complete with ting hand imprints and delicate lotuses was so charming that I wanted to take the elephant home! Naresh Kapuria’s elephant had 10, five, three and two paise painstakingly stuck on it as a mark of the commercialisation of the elephant. And price had nothing to do with it.And I am very happy to share that except the most cursory glance at these abysmal works by Bollywood stars, priced at nine lakhs each while the real artists works were priced at three lakhs and below, the Dilliwallas went for the real thing. Another serious show that took place this week was senior artist Kanchan Chander and Dominique Gribot-Carroz’s Not my life, that used film and artwork to raise awareness about https://www.ruicoglobal.com/product/polymer/industrial-paint-emulsion.html global human trafficking, particularly of children. Envisaged as a fund raiser to focus attention on the graceful giants – elephants, it brought together a glittering galaxy of some of our most creative artists who painted in their quintessential styles on miniature fiberglass stylized replicas to come up with a show that did the art fraternity proud.
The last laugh as far as prices were concerned must have been had by Paresh Maity who painted two larger than human sized elephants in his signature style and priced them 98 lakhs! Why get into nine lakhs and three lakhs and two lakh wala debate Just as well, for I was fuming about the disparity shown to artists in pricing them less than half the Bollywood actors – after all when artists from other disciplines go to Bollywood, do they get more than the actors themselves So why the disparity in other mediums, but Dilliwallas being Dilliwallas, turned away from those works in sheer disdain! I loved it! Price apart, I for one simply loved the works.The one thing I understand from the point of view of an organiser is the need to hold events outside the white cube to take it to people, but as an art curator I am pained to see what happens when we do it. I feel that given the importance of the cause, they should have taken it with more gravitas: There are only 22,000 pachyderms left in India and nearly 6,000 are in human captivity. Filmed in five continents, in a dozen countries, the film Not My Life takes viewers into a world where millions of children are exploited, through an astonishing array of practices including forced labour, domestic servitude, begging, sex tourism, sexual violence, and child soldiering. And what a poor showing it was! Except Salman Khan, whose work at least qualified to be in the show, none of them took it seriously enough to even attempt it with any modicum of earnestness. Many of them are underfed, beaten, abused. We are fortunate to have the best of international art come to the city and our indigenous talent too is so formidable that it is a matter of immense pride for a culture crusader and Delhi rooter like me. Not only because I love the graceful animals but the beautifully shaped replicas (trying hard not to use the word cute to describe them!) lent themselves to provide ample space for the artists to showcase their styles. A series of abstract works complements the emotional messaging, in a thought-provoking way. Almost 600 are deliberately killed every year. She brought some of her early work as a connection to the suffering of trafficked people.One thing I love about us Dilliwallas is our snootiness about art – and why not: after all we are the cultural capital of the region. Held as part of Alliance Francaise’s impactful art festival on human trafficking and donate the proceeds to support the initiative.
This list included Amitabh Bachchan, Aamir Khan, Akshay Kumar, Salman Khan, Shah Rukh Khan.com. And this being the art season, we are almost spoilt for choice. It is possible to turn waste into colourful and meaning full artwork to turn that tragic predicament into a collective victory. We have a huge responsibility, right now, to tell the truth and share the truth until the public discourse on this issue is ongoing and universal. Her first series of paintings is made of recycled waste and materials – an echo to the harsh life of ragpickers, and also a dream and hopefully a vision of what our society could achieve. Her perspective is intentionally candid and full of hope, for them, and for ourselves.This came across very clearly at the recent show Art for Elephants. Wildlife SOS has started India’s first elephant shelter and rescued 11 tortured animals. This too came across very clearly at this show. "Human traffickers are earning billions of dollars on the backs and in the beds of our children," says the film’s director, Oscar nominee Robert Bilheimer, "and yet not nearly enough people know this is happening. The other elephants that were simply, simply beautiful were by Bhajju Shyam, who brought the tribal responsiveness of the Gonds into play with his motifs derived from nature, Ravinder Reddy with stylized two dimensional jewels with a southern sentiments and visual associations of temple elephants like Guruvayur, senior artist Amit Ambalal’s imagery spoke about his concern, Seema Kohli’s elephants were in her lyrical style, Sanjay Bhattacharya’s lines were bold and playful, A Ramachandran’s dreamy idiom was in full form, as were Jayasri Burman, Shipra Bhattacharya, and Madhvi Parekhs’ feminine sensibilities. Loved the fact that Maneka Gandhi personally stood there to pitch for the works — that is real commitment to the cause. Dr Alka Raghuvanshi is an art writer, curator and artist and can be contacted on alkaraghuvanshi@yahoo. People for Animals is raising money to help them for the rescue centre in Mathura."
Kanchan made stark black and white images of despair and desolation, reflecting a deep sensitivity and empathy to human suffering. Perhaps as an attempt to include the popular might of Bollywood icons, top members of the film fraternity too were invited to be part of the show and were given similar replicas to paint. Here too, the works were wrongly lit and displayed, but even that could alter the intrinsic beauty of the works. Otherwise how can anyone whose aesthetics are firmly in place allow such a thing to go into the public arena.Even if they had worked with their own children, they would have come up with better results — I suspect Mr Bachchan allowed his four-year-old granddaughter to have a field day with no adult supervision. If not the cause, they should have at least thought about their own reputations. Dominique is a French citizen working in India in the financial services. What Delhi is certainly not is star struck.